![]() ![]() Think about that while we catch up with Mike, who is dealing with the surprise disappearance of Werner the German engineer - and trying to convince Gus (whose terrifying frown of disapproval was in top form this episode) to let Werner return to finish his work. ![]() (Although damn, it’s a fun reminder that Michael McKean can really wail.) But if that scene is deeply symbolic, then so is what comes next: back at Jimmy’s apartment, Chuck takes off his little brother’s shoes and helps him to bed, leaving him with a bucket to puke in and a promise of pancakes the following morning. Chuck - who is a better lawyer and a better singer - grabs the mic from Jimmy’s hand and takes over the stage, in a scene that might as well be a microcosm for their entire relationship. Hours later, the whole gang (including Ernie! Hi, Ernie!) have gathered at a karaoke bar to celebrate, where Jimmy convinces a reluctant Chuck to stay and join him onstage for a rendition of ABBA’s “The Winner Takes It All.” It’s a fun, brotherly duet… for about thirty seconds. In an opening flashback, we see Jimmy years earlier, at his original swearing-in as a lawyer, where he’s accompanied by a still-alive and supportive Chuck. ![]() But this has been a journey, and we should start at the beginning - not of this season, but of Jimmy McGill’s legal career. ![]()
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